'These Things Are a Parable': Natural History Metaphors and Audience in Felix Holt (1866)

Harper, Lila Marz

2019

Essay from the collection George Eliot: Interdisciplinary Essays, ed. Jean Arnold and Lila Marz Harper, pages 139-164 (Palgrave, 2019)

Organic Realism in Middlemarch

Arnold, Jean

2019

Book chapter from the collection George Eliot: Interdisciplinary Essays, ed. Jean Arnold and Lila Marz Harper, Palgrave Macmillan, 2019. 139-164.

'What do I think of glory?': On Middlemarch by George Eliot

Rilett, Beverley Park

2020

'That Wondrous Medusa-Face': Goethe's Italian Journey, George Eliot, and G. H. Lewes

Harper, Lila Marz

2014

This article traces the route of inspiration for the pregnant unmarried woman as a sacrificial victim in George Eliot’s figure of Hetty from Adam Bede (1859) as inspired by Goethe’s travel accounts and Eliot’s unacknowledged work on G. H. Lewes’…

'You Are as Thoroughly Woman as You Are English'

Cognard-Black, Jennifer

2014

Book chapter from Narrative in the Professional Age: Transatlantic Readings of Harriet Beecher Stowe, George Eliot, and Elizabeth Stuart Phelps

Book Chapters (21 Total)

'These Things Are a Parable': Natural History Metaphors and Audience in Felix Holt (1866)

Organic Realism in Middlemarch

'What do I think of glory?': On Middlemarch by George Eliot

'That Wondrous Medusa-Face': Goethe's Italian Journey, George Eliot, and G. H. Lewes

'You Are as Thoroughly Woman as You Are English'

The Hero as Dilettante: Middlemarch and Nostromo

The Mill on the Floss and the 'Spirit' of Capitalism

Felix Holt: The Desiring Body in the Later Political Novel

Harriet Beecher Stowe (1811-1896)

Amnesia, Madness, and Financial Fraud: Ontologies of Loss in Silas Marner and Hard Cash

Eliot's Critique of Darwinism

Eliot and the Byronic

Eliot and Moral Philosophy: Kant and The Mill on the Floss

The Role of the Narrator in Eliot's Fiction, Especially Middlemarch

Prototypes and Symbolism in Middlemarch

Anticipations of Modernism in Eliot's Fiction

Realism and Romance: Allusion and Intertextuality in Daniel Deronda

Circumcision, Realism and Irony in Daniel Deronda

Formal Experiment and Ideological Critique: Silas Marner and ‘Victorian Values’

Eliot and Racism: How Should One Read ‘The Modern Hep! Hep! Hep!’?

The Role of Luck in the Art, Ethics and Politics of Daniel Deronda